हाच माझा मार्ग (Haach Maajha Marg), the autobiography of Sachin Pilgaonkar is perhaps one of the most detailed memoirs written by a contemporary Indian film star, and rightly so… His repertoire across Hindi and Marathi films spans a staggering 50+ years.
The book measures about 320 pages and almost each page has a photo, many of them quite rare ones. Text is lucid and we get to read many behind-the-scenes, personal stories about movies and movie legends. The author shares his feelings, views and thoughts candidly and at times bluntly, which is great for a book about film industry notorious for its hypocrite ways.
The problem with this book is, after a while, it starts sounding a bit too much of "I, Me, Myself". At first glance, this may seem inevitable in an autobiography, but in the hands of a good editor, so many sentences could have been written in a much better way to make Mr. Pilgaonkar appear less of a narcissist.
Secondly, and more importantly, nowhere in the book does the author offer any deep, substantially meaningful insights into the soul of the industry he worked in for 50 years. The book reads more like a chronology of films and events than a retrospection of a thoughtful veteran.
The book measures about 320 pages and almost each page has a photo, many of them quite rare ones. Text is lucid and we get to read many behind-the-scenes, personal stories about movies and movie legends. The author shares his feelings, views and thoughts candidly and at times bluntly, which is great for a book about film industry notorious for its hypocrite ways.
The problem with this book is, after a while, it starts sounding a bit too much of "I, Me, Myself". At first glance, this may seem inevitable in an autobiography, but in the hands of a good editor, so many sentences could have been written in a much better way to make Mr. Pilgaonkar appear less of a narcissist.
Secondly, and more importantly, nowhere in the book does the author offer any deep, substantially meaningful insights into the soul of the industry he worked in for 50 years. The book reads more like a chronology of films and events than a retrospection of a thoughtful veteran.
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